| “江郎才尽”新探 |
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| 引用本文： | 邵春驹.“江郎才尽”新探[J].十堰职业技术学院学报,2007,20(2):57-59. |
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| 作者姓名： | 邵春驹 |
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| 作者单位： | 宿迁学院,中文系,江苏,宿迁,223800 |
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| 摘 要： | 江淹始终没有接受并融入永明时期新的文学风尚之中,这主要与三方面情况有关:1.永明时期文学活动群体性的特点;2.江淹在永明时期在身份地位上与新兴作家的差异;3.江淹的内向狷介性格。所谓“江郎才尽”是这三方面因素综合作用的结果。
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| 关 键 词： | 江淹 江郎才尽 原因 |
| 文章编号： | 1008-4738（2007）02-0057-03 |
| 收稿时间： | 2006-11-05 |
| 修稿时间： | 2006年11月5日 |
A new exploration of JIANG Yan's Literary Talent Ended |
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| SHAO Chun-ju.A new exploration of JIANG Yan''''s Literary Talent Ended[J].Journal of Shiyan Technical Institute,2007,20(2):57-59. |
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| Authors: | SHAO Chun-ju |
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| Abstract: | Jiangyan didn't mix himself with the new literary atmosphere in the Yongming period all the way.It is related to three facts: the characteristics of Yongming literature movement proceeded organizationally,the difference of status between Jiangyan and new writers in the Yongming period and Jiangyan's introverted and unsociable temperament.Thus the three factors function together to make Jiangyan's literary talent ended. |
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| Keywords: | Jiangyan "literary talent ended" reasons |
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