| 论"新具象" |
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| 引用本文： | 冉献东. 论"新具象"[J]. 商丘师范学院学报, 2004, 20(1): 174-175 |
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| 作者姓名： | 冉献东 |
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| 作者单位： | 商丘师范学院,美术系,河南,商丘,476000 |
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| 摘 要： | “新具象”艺术已成为现代绘画领域的重要组成部分。理论上需要把新具象与抽象、具象的关系、“新具象”的根源、“新具象”与现实的写实进行比较。
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| 关 键 词： | “新具象” 绘画 抽象 写实 存在主义 油画 |
| 文章编号： | 1672-3600(2004)01-0174-02 |
| 修稿时间： | 2003-06-27 |
On "New Representation" |
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| RAN Xian-Dong. On "New Representation"[J]. Journal of Shangqiu Teachers College, 2004, 20(1): 174-175 |
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| Authors: | RAN Xian-Dong |
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| Abstract: | New Representational art has become an important composing part in the field of modern paintings .The painters develop themselves based on their sensations.Theoratically,comparisions should be made among New Representation,Abstraction,Representation and Realism ;the source of New Representation is discussed. |
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| Keywords: | new representation representation realism existentialism |
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