| 中国现代诗学主客体观 |
| |
| 引用本文： | 龙泉明,邹建军. 中国现代诗学主客体观[J]. 华中师范大学学报(人文社会科学版), 2001, 40(5): 87-94 |
| |
| 作者姓名： | 龙泉明 邹建军 |
| |
| 作者单位： | 1. 武汉大学人文学院
2. 中南民族学院文学院 |
| |
| 基金项目： | 教育部“九五”社科项目 ( 96 jby75 0 .1 1 -4 4 0 2 2 ) |
| |
| 摘 要： | 诗歌创作中主体与客体的关系是中国现代诗学中一个重要的理论问题,中国现代诗学关于诗的主体与客体关系的探索,主要围绕“做诗与做人”、“完全融合”、“入”与“出”和“小我”与“大我”四个命题展开,本试图从这些命题入手,厘清中国现代诗学关于诗的主体与客体关系的独特内涵,探讨中国现代诗学的某种精神特质。
|
| 关 键 词： | 主体 客体 “完全融合“说 小我 大我 中国 现代诗学 诗歌创作 人格 诗人 主观精神 |
| 文章编号： | 1000-2456(2001)05-0087-08 |
| 修稿时间： | 2001-06-18 |
The Subject and Object Concept in Chinese Modern Poetry Theory |
| |
| LONG Quan ming,ZOU Jian jun. The Subject and Object Concept in Chinese Modern Poetry Theory[J]. Journal of Central China Normal University(Humanities and Social Sciences), 2001, 40(5): 87-94 |
| |
| Authors: | LONG Quan ming ZOU Jian jun |
| |
| Affiliation: | LONG Quan ming 1,ZOU Jian jun 2 |
| |
| Abstract: | The relationship between subjects and objects in creating poems is an important problem in Chinese modern poetry theory. The research centers around:"subject" and "object", "entering" and "going out", "completely amalgamate", "small I" and "big I", "writing poetry and living as a man". Starting with the four perspectives, this thesis expounds the special connotation of the subject and object concept in Chinese modern poetry and seeks for the some spirit characteristics of Chinese modern poetry theory. |
| |
| Keywords: | subjects and objects entering and going out completely amalgamate small I and big I |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
| 点击此处可从《华中师范大学学报(人文社会科学版)》浏览原始摘要信息 |
|
点击此处可从《华中师范大学学报(人文社会科学版)》下载全文 |
