| Straus Paket拾音制式间距的实验分析 |
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| 作者姓名： | 高楠 王鑫 |
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| 作者单位： | 宁波音王集团有限公司;中国传媒大学 |
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| 摘 要： | 以钢琴为研究对象,通过主观评价方法探究Straus组合拾音制式在不同间距下的拾音范围角度以及录音规律,结果表明该传声器组间距50 cm时,可以得到理想的钢琴音色,间距为20 cm也具有不错的实践应用价值。
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| 关 键 词： | 斯特劳斯拾音制式 立体声拾音制式 传声器组间距 拾音范围角度 |
Experimental Analysis of Straus Paket Spacing |
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| Authors: | GAO Nan WANG Xin |
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| Institution: | (Soundking Group Co.Ltd.,Ningbo Zhejiang 315140,China;Communication Univercity of China,Beijing 100024,China) |
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| Abstract: | Straus Paket is a stereophonic microphone technique that is used to record a small combos or a solo instrument.This article explores the recording range and recording rules by changing the spacing between two combined microphones of standard Straus Paket technique via subjective evaluation method.The consequence of this experience supports that it is when the distance between two combined microphones is 50cm that can get the best timbre of a piano.Plus,using 20 cm as the distance of Straus Paket also contributes to practice. |
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| Keywords: | Straus Paket pickup system stereophonic microphone technique microphone group spacing recording range |
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