| 黛西：消费社会“物化”的“新潮女性” |
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| 引用本文： | 曹蓉蓉.黛西：消费社会“物化”的“新潮女性”[J].安顺师范高等专科学校学报,2009,11(3):17-19. |
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| 作者姓名： | 曹蓉蓉 |
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| 作者单位： | 浙江理工大学外国语学院,浙江,杭州310018 |
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| 基金项目： | 浙江省社会科学研究课题 |
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| 摘 要： | 《了不起的盖茨比》中的黛西似乎集中了两种复杂的品性于一体：一方面她是美国爵士时代典型的追求个性和自主“新潮女子”，另一方面，她又是被动、逃避，“无力”的女性。文章以波德利亚的消费文化观点分析“新潮女性”，认为消费社会对女性的“物化”是黛西“无力”的根源。
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| 关 键 词： | 新潮女性 物化 无力 符号价值 |
Daisy:The Commodified Flapper in the Consumer Society |
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| Cao Rongrong.Daisy:The Commodified Flapper in the Consumer Society[J].Journal of Anshun Teachers College,2009,11(3):17-19. |
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| Authors: | Cao Rongrong |
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| Institution: | Cao Rongrong (The College of Foreign Languages, Zhejiang Sci-Tech University, Hangzhou 310018, Zhejiang,China) |
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| Abstract: | Daisyin The Great Gats by seems to possess two contradictory characteristics： she is both adefiant,self-centered Flapper in the Jazz Age,and apassive, weakes capist. This essay seeks to argue, through the an alysis of the Flappers in the consumer society in accordance with Baudrillard; stheory of consumerism,that the reification of women is the fundamental cause of Daisy＇s＂weakness＂. |
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| Keywords: | Flappers reification weakness signvalue |
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