| 论“游”的审美意蕴的流变及意义 |
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| 引用本文： | 文彦波. 论“游”的审美意蕴的流变及意义[J]. 绥化学院学报, 2008, 28(2): 106-109 |
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| 作者姓名： | 文彦波 |
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| 作者单位： | 广西师范大学文学院,广西桂林,541004 |
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| 摘 要： | “游”是极具中国特色的美学范畴之一。从庄子的“逍遥游”、“游心”，到晋代陆机的“心游万仞”，再到南朝刘勰的“神与物游”，“游”完成了从哲学范畴向美学范畴的最终转换。“游”不仅代表着一种人格独立、心灵自由的生命状态，也表现为审美创造时想像力极其丰富的精神状态。
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| 关 键 词： | 游 心游 自由 神与物游 |
| 文章编号： | 1004-8499(2008)02-0106-04 |
| 修稿时间： | 2007-10-25 |
On the Development and Significance of Aesthetic Subject of "Travel" |
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| Wen Yanbo. On the Development and Significance of Aesthetic Subject of "Travel"[J]. Journal of Suihua University, 2008, 28(2): 106-109 |
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| Authors: | Wen Yanbo |
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| Affiliation: | Wen Yanbo (Chinese department Guangxi Normal University, gui lin 541004 china ) |
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| Abstract: | ＂Travel＂ is extremely one of Chinese characteristic esthetics categories.h has finally completed the transformation from the philosophy category to the esthetics category,which is from ＂travel in thought＂ of Zhuang Zi to ＂travel in thoughts for ten thousand measures of highth＂ of Liu Ji of Jin dynasty ,then to ＂thought going with objects＂ of Liu Xie of Nan dynasty. ＂Travel＂ not only reprsents one kind of personality independence and the mind free life condition, but also displays for the imagination extremely rich state of mind when earries on the esthetic creation. |
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| Keywords: | travel travel of thougt freedom thought going with object |
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