| 论夏衍话剧与民族戏曲传统 |
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| 引用本文： | 胡星亮.论夏衍话剧与民族戏曲传统[J].广西师范大学学报(哲学社会科学版),2003,39(2):53-59. |
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| 作者姓名： | 胡星亮 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 摘 要： | 如果说夏衍受外国戏剧的影响是自觉的追求，那么，民族戏曲对夏衍剧作的渗透则是自然形成、潜移默化的，是无形地融化在其血脉中的。研究夏衍借鉴戏曲的话剧创造，就是挖掘融化在夏衍血脉中的民族戏曲传统。而从“中国的契诃夫”夏衍其剧作的写意、意象和对戏的追求中，就更能说明民族戏曲对中国话剧影响之深广。
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| 关 键 词： | 夏衍 话剧 戏曲 借鉴 创造 |
| 文章编号： | 1001-6597(2003)02-0053-07 |
| 修稿时间： | 2002年10月31 |
A STUDY OF XIA YAN'S PLAYS AND CHINA'S TRADITIONAL OPERAS |
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| HU Xing,liang.A STUDY OF XIA YAN''''S PLAYS AND CHINA''''S TRADITIONAL OPERAS[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2003,39(2):53-59. |
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| Authors: | HU Xing liang |
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| Abstract: | If we say that the influence of foreign dramas upon Xia Yan was a kind of conscious pursuit, then the permeation of Chinese traditional operas in his works could be considered to be natural formation or a kind of unconscious influence. The study of Xia Yan's theatrical creation means an exploration into Chinese traditional operas that had unconsciously influenced him in his literary works. |
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| Keywords: | Xia Yan drama/opera take as reference/create |
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