| 中国人的整体思维与意境的形成 |
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| 引用本文： | 连文斌.中国人的整体思维与意境的形成[J].怀化学院学报,2006,25(12):41-43. |
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| 作者姓名： | 连文斌 |
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| 作者单位： | 西北师范大学,文学院,甘肃,兰州,730070 |
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| 摘 要： | 从中国人的整体思维方式出发来认识意境的形成,意境的生成与中国人天人合一的整体思维方式联系非常紧密,老庄对生命本体(道)的认识为意境的生成提供了形而上的依据,形成了意境最基本的特征,即意境重视整体效果、境生于象外、物我交融等等;老庄和佛教禅宗对“道”、“法”真谛的认识又为意境理论的形成提供了方法论的借鉴。
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| 关 键 词： | 思维方式 意境 道 禅宗 老庄 |
| 文章编号： | 1671-9743（2006）12-0041-03 |
| 收稿时间： | 2006-10-19 |
| 修稿时间： | 2006年10月19 |
Chinese Overall Thinking Mode and the Formation of the Artistic Conception |
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| LIAN Wen-bin.Chinese Overall Thinking Mode and the Formation of the Artistic Conception[J].Journal of Huaihua University,2006,25(12):41-43. |
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| Authors: | LIAN Wen-bin |
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| Abstract: | From Chinese overall thinking mode,we can see that the formation of the artistic conception has a very close relation with the Chinese conception,the integration of man and nature, which is indivisible.The understanding of Lao Zhuang to life-in-itself,that is Tao of Lao Zhuang,has provided metaphysical basis for the formation of the artistic conception.It has formed most basic characteristics of the artistic conception,whose overall effect comes not only from its imagery,but also from the space without imagery and identity between things and persons and so on;The understanding of Lao Zhuang and the Buddhism Zen about the true meaning of Tao and Buddhism doctrine have provided the methodological model for the formation of the artistic conception. |
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| Keywords: | thinking mode the artistic conception Tao Zen Lao Zhuang |
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