| 从《文镜秘府论》看南北朝“诗”以外文体的声律运用 |
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| 引用本文： | 胡大雷. 从《文镜秘府论》看南北朝“诗”以外文体的声律运用[J]. 钦州学院学报, 2008, 23(5) |
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| 作者姓名： | 胡大雷 |
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| 作者单位： | 广西师范大学文学院,广西,桂林,541004 |
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| 摘 要： | 唐前声律以“四声”论而不以“平仄”论，据《文镜秘府论》载，“文”、“笔”皆运用声律，具体规则有：一句中两分句句末声律相间，上句与下旬相对，第一句末不得与第三句末同声，第二句末与第三旬末止可同声不应同韵，第二句末不得与第四句末同声，骈文上四句与下四句的声律调谐。
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| 关 键 词： | 文镜秘府论 四声 笔 |
A Study of the Using of Other Style of Writing's Rhythm except Poetry in Nanbei Dynasty from the Perspective of WenJingMiFuLun |
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| HU Da-lei. A Study of the Using of Other Style of Writing's Rhythm except Poetry in Nanbei Dynasty from the Perspective of WenJingMiFuLun[J]. Journal of Qinzhou University, 2008, 23(5) |
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| Authors: | HU Da-lei |
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| Affiliation: | HU Da-lei(Literature of Guangxi Normal University,Guilin 541004,China) |
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| Abstract: | The Rhythm was not regulating level and oblique tunes but four tones before Tang Dynasties.Rhythm was used to writing verse and prose according WenJingMiFuLun.These principle should have the following several conditions,one sentence had two clause.there had different tones between the last words of two clause.The tone of last words between the first sentence and the second sentence was not different.The last words between the second sentence and the third sentence could have the same tone but couldn't have ... |
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| Keywords: | WenJingMiFuLun four tones prose |
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