| 凤阳花鼓渡长江,泪花却比浪花多——由唱词考证凤阳花鼓在南方各地戏曲中的流变 |
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| 引用本文： | 徐星月.凤阳花鼓渡长江,泪花却比浪花多——由唱词考证凤阳花鼓在南方各地戏曲中的流变[J].阜阳师范学院学报(社会科学版),2013(1):29-33. |
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| 作者姓名： | 徐星月 |
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| 作者单位： | 上海音乐学院 |
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| 摘 要： | 凤阳花鼓,作为明清最为流行的歌种之一,由于传播的载体、方式、形态不同,其在向全国各地、各艺术种类传播的过程中,在各地音乐品种中不同程度地留下了凤阳花鼓的"音乐基因"。本文由唱词考证凤阳花鼓在南方各地戏曲中的流变,从音乐地理学视角浅谈民歌传播中表现出的各地民歌同宗同源的特点。
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| 关 键 词： | 凤阳花鼓 南方各地 传播 流变 |
Variation of Fengyang Flower-drum Dance in Southern China Operas Seen Through Lyrics |
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| XU Xing-yue.Variation of Fengyang Flower-drum Dance in Southern China Operas Seen Through Lyrics[J].Journal of Fuyang Teachers College(Social Science Edition),2013(1):29-33. |
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| Authors: | XU Xing-yue |
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| Institution: | XU Xing-yue(Shanghai Conservatory of Music,Shanghai 200031) |
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| Abstract: | As one of the most popular genres of music in Ming and Qing Dynasty,Fengyang Flower-drum Dance has entailed its "musical gene" to endemic music to some extent during its dissemination to all artistic genres across the country,due to different transmission media,means and forms.The textual research on the dissemination and evolution of Fengyang Flower-drum Dance to endemic opera in Southern China by lyrics is presented and the feature of sharing the same origin of endemic folk songs is also discussed in the light of musical geography. |
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| Keywords: | Fengyang Flower-drum Dance South China transmission dissemination and evolution |
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