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初唐诗人的宗教信仰及其诗歌艺术
引用本文:李红春. 初唐诗人的宗教信仰及其诗歌艺术[J]. 青海师范大学学报(哲学社会科学版), 2003, 0(6): 120-124
作者姓名:李红春
作者单位:山东大学,文学院,山东,济南,250100
基金项目:教育部普通高等学校社会科学重点研究基地"十五"规划重大项目(教社政司[1998]28号)
摘    要:诗人宗教信仰的自由状况对艺术创造的审美价值有十分直接的影响。就初唐诗人来看,他们在宗教信仰方式上总体上经历了一个由受家族化传统影响为主,到受政治利益引导为主;由封闭的、不自由的被动接受为主,到自由的、开放的主动追求为主这样一个历史性转变。其间,士、庶力量的对比转换构成了这一转变的内在动因。随之而来的则是主体人格的觉醒,并因此促成宗教哲学观念的内在化、心灵化,为诗歌艺术在初唐的全面更新奠定了健康的精神内蕴。

关 键 词:初唐诗歌 宗教信仰 家族文化 儒家 道教 佛教
文章编号:1000-5102(2003)06-120-05
修稿时间:2003-05-28

The Religion of the Early Tang Dynasty's Poets and Their petry Art
LI Hong chun. The Religion of the Early Tang Dynasty's Poets and Their petry Art[J]. Journal of Qinghai Normal University(Philosophy and Social Sciences Edition), 2003, 0(6): 120-124
Authors:LI Hong chun
Abstract:The characteristic of freedom or non-freedom about individual faith can make a direct influence on aesthetic value of arts.When it comes to the poetry of early Tang Dynasty,we can see that they have experienced a historic transformation in faith style,from being confined mainly by family cultural tradition to being induced mainly by political and economic advantage, from passive acceptance to active pursue. During the time, the conversion and contrast of strength between the gentry and the common make up the internal causeofthis~ansformmion.Accompanied with the transformation,subjective peonality has been woken up,which help the religionary and philosophic ideal to be intrinsic and psychic.As a result,the poetry of early Tang achieved healthy spirit content for its entire rebirth.
Keywords:Early Tang Dynasty's poems  religion  family culture  Confucianism  Taoism  Buddhism  
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