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论元杂剧叙述口吻的确立与成型
引用本文:曹胜高. 论元杂剧叙述口吻的确立与成型[J]. 山西师大学报(社会科学版), 2005, 32(6): 53-57
作者姓名:曹胜高
作者单位:东北师范大学文学院 长春130024
摘    要:元杂剧采用“代言体”作为叙述口吻,是在诗、词、曲以及诸宫调等艺术形态的代言叙述的基础上发展而来的,也受到当时说唱艺术所采用的“叙事体”的影响,从而使其叙述口吻存在叙事体和代言体相互融合的特点,并且在叙述表达中,有明显的“口吻进入”过程。这既保留了元杂剧叙述口吻演化的痕迹,也标志着中国古典戏曲叙述口吻的成型,从而确立了不同于西方戏曲的叙述模式。

关 键 词:元杂剧  叙述口吻  确立过程
文章编号:1001-5957(2005)06-0053-05
收稿时间:2005-08-15
修稿时间:2005-08-15

The Establishment and Shaping of the Narrative Strain in Variety Plays of Yuan Dynasty
CAO Sheng-gao. The Establishment and Shaping of the Narrative Strain in Variety Plays of Yuan Dynasty[J]. Journal of Shanxi Teachers University, 2005, 32(6): 53-57
Authors:CAO Sheng-gao
Affiliation:Institute of Sinology, Northeast Normal University, Changchun 130024, China
Abstract:Narrative structure,introduced in variety plays of Yuan Dynasty,was rooted in many art modalities such as poem,lyrics,songs and various melodies,and was affected by narrative style.The mingling of narrative style and narrative structure,the process of the strain entry became the specialty of the narrative stain of Yuan Dynasty,which kept the evolution imprint,and indicated the establishment of narrative strain of variety plays in classic drama of China.
Keywords:variety plays of Yuan Dynasty  narrative strain  establishment and shaping
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