| 民族大融合中的元杂剧妇女形象 |
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| 引用本文： | 刘代霞.民族大融合中的元杂剧妇女形象[J].毕节学院学报,2002,20(2):22-27. |
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| 作者姓名： | 刘代霞 |
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| 作者单位： | 毕节师专中文系,贵州,毕节,551700 |
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| 摘 要： | 在民族大融合中产生的元杂剧妇女形象,既表现出主体意识的觉醒,又具有张扬的个性和独立的人格,是北方游牧民族文化与中原儒家正统思想文化及新兴的市民通俗文化相融合的艺术结晶.
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| 关 键 词： | 元杂剧妇女形象 主体意识的觉醒 张扬的个性 独立的人格 民族文化融合 |
Yuan Dynasty Women Figures in the Great Nationality Combination |
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| Liu Daixia.Yuan Dynasty Women Figures in the Great Nationality Combination[J].Journal of Bijie University,2002,20(2):22-27. |
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| Authors: | Liu Daixia |
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| Abstract: | Yuan Dynasty Women figures in the great nationality combination ,not only express in the way of the principal awarness of consciousness, but the remarkable and independent personality, which is an artistic combination of the northern nomadic nationality culture and the traditional middle confucianist idea culture with the newly rising popular citzen culture. |
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| Keywords: | Yuan Dynasty Women Figures Principal awarness of Consciousness a remarkable personality Independent personality Nationdlity Cultural Combination |
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