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中国古典诗歌的朦胧美及其语言、思维背景
引用本文:徐志伟.中国古典诗歌的朦胧美及其语言、思维背景[J].南京师范大学文学院学报,2000(2):14-21.
作者姓名:徐志伟
作者单位:南京师范大学附属中学,江苏,南京,210003
摘    要:语言是思维的载体,汉民族和而不分、浑融无间的“一元化”思维模式,决定了汉语言以神统形的人性,并由此衍生出汉语言多义性的特色。语言也是学的第一要素。在汉民族独特的思维、语言背景下,多义的汉语言对中国学直接或间接的作用,对于中国古典诗歌形象、意境、主题的朦胧性产生了巨大的影响。在对重抒情言志的中国古典诗歌传统的探索、反省中,更能剖析、领略深具传统化特质的多义的汉语言、模糊的汉民族思维和朦胧的诗美之间的关系。

关 键 词:多义的语言  模糊的思维  朦胧的诗美
文章编号:1008-9853(2000)02-0014-08
修稿时间:2000年1月10日

Indistinct Beauty of Chinese Classical Poems and the Background of their Language and Thinking
XU Zhi,wei.Indistinct Beauty of Chinese Classical Poems and the Background of their Language and Thinking[J].Journal of Chinese Language and Culture School Nanjing Normal University,2000(2):14-21.
Authors:XU Zhi  wei
Abstract:Language is the carrier of thinking.The Chinese language is Chiefly determined by the contents rather than the form due to the unique thinking mode of Chinese people,which leads to ambiguity or polysemy in poem writing.Language is the first and foremost factor in literature.The ambiguous or polysemous language exerts a great influence on image,artistic concepts and obscurity of subject matters of the classical Chinese poems.In the study of classical Chinese poems,we get a deeper insight of the relationship among polysemous Chinese language,fuzzy thinking mode of Chinese people and indistinct beauty of poems.
Keywords:polysemous language  fuzzy thinking  indistinct beauty of poems
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