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明清小说神授法宝模式及其印度文化渊源
引用本文:刘卫英. 明清小说神授法宝模式及其印度文化渊源[J]. 华南师范大学学报(社会科学版), 2007, 0(4): 36-41
作者姓名:刘卫英
作者单位:大连大学学报编辑部,辽宁,大连,116622
摘    要:明清神魔与历史演义小说中,神仙传授法宝、兵器,是神仙介入凡俗世事的具体体现。“神授宝物”有三种方式;师徒关系多呈现“性别同性对应”;“箭垛人物”王禅老祖的异名、居所变化,是故事口头广泛流传痕迹。宝物功能限度、宝物互制互克和使用禁忌,也被广泛关注。“神授宝物”母题,来自印度古代史诗的母题,经由佛经文学传译进入中土。其偏重在神奇兵器的神仙授予,与道教影响的“天书神授”有关。在明清小说中呈现互动互补的审美形态。

关 键 词:明清小说;神授宝物;宝物母题;佛经故事;中印比较  
文章编号:1000-5455(2007)04-0036-06
修稿时间:2007-03-09

The Mode Of the God Granted Magic Weapon and Its Indian Culture Source in The Ming-Qing Novels
LIU Wei-ying. The Mode Of the God Granted Magic Weapon and Its Indian Culture Source in The Ming-Qing Novels[J]. Journal of South China Normal University(Social Science Edition), 2007, 0(4): 36-41
Authors:LIU Wei-ying
Affiliation:by LIU Wei-ying
Abstract:It is often the story that gods participating and interfering in affairs of the mortal world in the Ming-Qing ghost and historical novels.There are three modes of the god granted magic weapon.The relation between the master and the follower is the same sex.The motif of the god granted magic weapon comes from ancient Indian epics which enters into China through translated Sutra Literature which gives important influence on Ming-Qing Novels together with Taoism.
Keywords:Ming-Qing novels  god granted magic weapon  the treasure motif  the Sutra story  comparison between the Chinese and the Indian
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