| “移情”与诗歌意境的构成 |
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| 引用本文： | 徐治堂. “移情”与诗歌意境的构成[J]. 牡丹江教育学院学报, 2012, 0(2): 1-2 |
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| 作者姓名： | 徐治堂 |
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| 作者单位： | 陇东学院文学院 |
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| 摘 要： | 移情说强调外物的生命化,即把人的主观感情挪移到外物中去,使原本无生命的客观外物好像也有了感觉、思想、情感、意志等活动,从而产生物我融合的境界。在中国诗歌意象的选择、提炼过程中,在诗歌意境的营造过程中,"移情"手法起到了重要的媒介作用。
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| 关 键 词： | 移情 意象 意境 物我相融 |
Empathy and the Construction of Poetic Imagery |
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| XU Zhi-tang. Empathy and the Construction of Poetic Imagery[J]. Journal of Mudanjiang College of Education, 2012, 0(2): 1-2 |
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| Authors: | XU Zhi-tang |
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| Affiliation: | XU Zhi-tang(College of Chinese Language and Literature of Longdong University,Qingyang,Gansu 745000) |
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| Abstract: | Empathy emphasizes exerting life to the external objects.That is to transfer human subjective feelings onto the material objects so that they seem to have adopted the human feelings,thoughts,emotions,and wills.This results in the integration of human beings and the outside world.In Chinese poetry,empathy is an important media in the process of image choosing,refining,and the creation of poetic imagery. |
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| Keywords: | empathy image poetic imagery human and objects integration |
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