| 批评话语下的明清宗教题材剧审美特征论 |
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| 引用本文： | 刘奇玉.批评话语下的明清宗教题材剧审美特征论[J].怀化学院学报,2009,28(9):67-69. |
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| 作者姓名： | 刘奇玉 |
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| 作者单位： | 湖南科技大学,人文学院,湖南,湘潭,411201 |
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| 基金项目： | 为湖南省教育厅课题资助项目;项目，湖南省哲学社会科学重点研究基地"中国古代文学与社会文化研究基地"阶段性成果之一;项目 |
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| 摘 要： | 古代戏曲与宗教有着极为密切的联系,一方面,集通俗性和生动性于一体的戏曲艺术是宗教界向世俗社会传布教义的重要方式和载体,另一方面,想象力超凡的宗教故事和奇特的宗教人物对戏曲作品的审美旨趣和艺术结构产生了深远的影响,形成了诸如团圆之趣、婉折之美和诡奇之境等审美特征。
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| 关 键 词： | 戏曲批评 宗教题材剧 审美特征 |
A Critical Discourse of Religious Drama's Aesthetic Characteristic in Ming and Qing Dynasties |
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| LIU Qi-yu.A Critical Discourse of Religious Drama's Aesthetic Characteristic in Ming and Qing Dynasties[J].Journal of Huaihua University,2009,28(9):67-69. |
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| Authors: | LIU Qi-yu |
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| Institution: | School of Humane Studies;Hunan University of Science and Technology;Xiangtan;Hunan 411201 |
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| Abstract: | Traditional Operas and religion have a very close relation.On the one hand,the opera is an important way to disseminate the religious doctrine.On the other hand,the unusual religion story and the unusual religious figures have the profound influence to the drama work's esthetic idea and the artistic structure.Thus form the special esthetic characteristics,such as reunion ending,tortuous beauty,strangeness and so on. |
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| Keywords: | drama criticism religious drama aesthetic characteristics |
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