| 扬雄与司马相如赋风差异之比较 |
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| 引用本文： | 蒋文燕.扬雄与司马相如赋风差异之比较[J].海南师范大学学报(社会科学版),2003,16(6):90-94. |
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| 作者姓名： | 蒋文燕 |
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| 作者单位： | 北京外国语大学,国际交流学院,北京,100089 |
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| 摘 要： | 司马相如是汉大赋美学品格的开创者和缔造者，而扬雄在对司马相如大赋创作之法进行全面继承的同时，又大胆创新，因此其赋作在题材内容、谋篇布局和写作手法上都各有独到之处。所以，如果说司马相如的大赋是以流动飘逸见长，而扬雄的大赋则是以古雅深沉胜出，而这些特点是由不同时代赋予赋家不同的观照方式所致。
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| 关 键 词： | 司马相如 扬雄 苑猎京都大赋 颂扬 讽谏 模拟 创新 |
| 文章编号： | 1672-223X(2003)06-0090-05 |
| 修稿时间： | 2003年4月28日 |
On the Diverse Writing Styles of Fu between Yang Xiong and Sima Xiang-ru |
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| Authors: | JIANG Wen-yan |
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| Abstract: | Sima Xiang - ru was the initiator and founder of the aesthetic style for fu, in the Han Dynasty whereas Yang Xiong had audaciously innovated in style on the basis of wholly inheriting the writing style of Sima Xiang-ru, thus they had their respective traits in terms of subject-matter, organization and writing style of fu . Therefore, Sima Xiang-ru's grand fu was characterized by mobility and gracefulness while Yang Xiong s ju embraced the features of classic elegance and profundity, which was caused by diverse modes of expression in different times. |
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