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论艺术的抽象
引用本文:俞兆平. 论艺术的抽象[J]. 海南师范大学学报(社会科学版), 2003, 16(4): 52-57
作者姓名:俞兆平
作者单位:厦门大学中文系,福建,厦门,361005
摘    要:文学艺术的抽象问题,有着深刻的哲学、美学内涵,但学界迄今未有深入的探寻。艺术的抽象是艺术家、作家凭借着一种具有“知性直观”的审美判断力,直接由外物的幻觉表象、形式要素或内在的情感生活、生命经验,提纯出的一种不脱离感性存在的“情感涵括”或“经验的一般”。它的美学特质是:其审美对象是一种“虚幻性”的、间接的存在;它包含着强烈的生命体验及其转化而来的运动着的情感形态;它遵循“简化原则”所创造的是一种既具体又抽象的意象,一种动态的生命形式。

关 键 词:艺术抽象 知性直观 情感涵括 经验一般
文章编号:1672-223X(2003)04-0052-06
修稿时间:2003-02-25

A Talk on Artistic Abstraction
YU Zhao-ping. A Talk on Artistic Abstraction[J]. JOURNAL OF HAINAN NORMAL NUIVERSITY, 2003, 16(4): 52-57
Authors:YU Zhao-ping
Abstract:Literary and artistic abstraction possesses profound philosophic and aesthetic connotation, but it has not been further explored yet. Artistic abstraction, a kind of perceptual "emotional epitome" or "experience generalization", is derived by artists and writers by virtue of a "intuitive and audio-visual" aesthetic judgement and directly based on the illusion of external substance, key formal elements or the internal emotional life and life experience of artists and writers. The aesthetic essence of artistic abstraction is characterized by an "illusionary" aesthetic target and indirect existence; it contains intense life experience and dynamic emotional patterns transformed from life experience, and what is created in line with "the simplification principle" is a concrete and abstract image, a dynamic life form.
Keywords:artistic abstraction  intuitive and audio-visual  emotional epitome  experience generalization  
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