论广西彩调发展与心理诉求的关系

广西彩调剧承载着老百姓包括彩调创演人员和观众的心理诉求。从彩调演出发展的历史来看,三个阶段承载的心理诉求是不同的:一是喜乐心理,主要作用于自娱自乐阶段,二是求异心理,主要表现于走村串寨阶段,三是尚角、思变、消费心理,大多存在于固定剧场演出阶段。不同阶段的彩调艺术呈现出人们不同的心理特点,观众不同的心理追求又推动着彩调艺术的发展变化,二者联系非常密切。

On the Relationship between Guangxi Cai Diao' s Development and Psychological Demand

Guangxi Cai Diao bears the psychological demands of people,including those of creators,actors and audience.From the development history of Cai Diao,there are three phases with different psychological demands.The first refers to entertainment psychology which mainly works at the phase of recreating by oneself;the second is related to the psychology of seeking difference which is reflected in the phase of performing throughout different villages;the third concerns emphasizing roles,plan for change and the consumption psychologies that exist in the phase of performing in regular theatres.The art of Cai Diao in these phases reveals different mental characteristics of people,while different psychological demands boost the art development of Cai Diao.Their relationship is obvious and close.