唐长安城宏观布局与初盛唐诗歌

唐长安城所蕴涵的建筑文化思想表现出长安文化兼容并蓄、求实创新的文化气度 ,代表着初盛唐时代的审美理想 ,对初盛唐诗歌产生了重要的影响。初盛唐诗人笔下的关中景观是积淀深厚的社会之美 ,是蕴藉丰厚的文化意象。唐长安城的文化地理背景及其由宫城而皇城、外郭城 ,自上而下逐层推移的立体布局 ,赋予初盛唐诗歌高蹈雍容的气度 ,博大宽广的胸襟。长安城层层递进循环往复的方形平面建筑模式营造出刚劲稳健、明净朗练的美感氛围 ;整齐反复的节奏韵律又传递着强烈的秩序感、归属感与崇高感。大唐诗人的骄傲与激情 ,大一统王朝的政治意志、审美理想 ,就在这平整方正的布局里得到了尽情的发挥

Macroarrangement of the Town of Chang'an and Poetry in the Early Flourishing Tang Dynasty

The town of Chang'an in the Tang Dynasty, representative of the aesthetical ideal in the early flourishing days and typical of the all-inclusive and exploring innovative perception of architectural civilization in Chang'an, exerted a significant influence on poetry in those days. Those scenic spots praised by the poets in the early Tang Dynasty reflected profound-based social beauty and extensively-embodied cultural images. The cultural geographical background and stereoscopic arrangement gradually moving down from the palace town to the imperial town then to the outer town gave a magnifiscent style and a profound horizon to the poetry in the early flourishing Tang Dynasty. The hierachical and revolving square level architectural mode of the town created a strong, stable, spacious and clean aesthetic atmosphere and its orderly and repetitive rhythm conveyed a strong sense of order, pride and loftiness. Therefore, the pride and enthusiasm on the part of great poets and the political will and aesthetical sense of the great unified dynasty all found full expression in this level and square arrangement.