谢有顺的文学姿态及其对小说家关注的空白

谢有顺的学姿态是独特的，首先他是读是学爱好最后才是批评家，个人的写作状态处于游离状态，游离在作家与理论家之间，时刻呼唤当代大师梦想未来。这样的姿态得到了作家的尊敬和理论家们的宽容。他的梦想是给作品带来生命。他的学姿态给当今坛带来另一种新的气象，蕴含了一种有颠覆力的预言。即使他很有才华，但他也有关注的空白或说不愿深入的领域：比如说今天中国作家们并不太自由的物质精神人际关系生存环境，还有评价标准的过分格式化和泛化，以及对学史权力的忽视等等，这些都埋下他写作困境的伏笔。我的疑问是，他身上浓厚的大师情结，过分寻找追求大师的激情，会不会使自己成为造神运动中的一颗棋子?

XIE You-shun's Stance towards Literature and Sheer Overlook of the Novelists

Xie You-shun's stance towards literature is unique, for he is a reader and enthusiast for literature before he is a literature critic. His writing are featured by a kind of free state, which doesn't belong to a writer or a theorist, but a future dreamer yearning for the arrival of a contemporary master. His stance is revered and acknowledged by the writers, for it brings new input into the present literature world while his dreams enliven his works. He is such a talented person; however, he cannot prevent himself from showing his sheer overlook of the novelists, or, in other words, his unwillingness to explore some fields, such as the limited material well-being, human relations and living environment. Besides, he seems to commit himself to a formatted and general criterion of literature criticism, which is above to lead him to a wretched plight of writing. My doubt is: will his complex feelings for the arrival of a contemporary master and enthusiasm for becoming a master make himself a chessman in the drive of creating a God of Literature?