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勃拉姆斯的音乐本体解析——以《亨德尔主题变奏曲与赋格》为例
引用本文:郭杰.勃拉姆斯的音乐本体解析——以《亨德尔主题变奏曲与赋格》为例[J].商洛师范专科学校学报,2014(1):92-96.
作者姓名:郭杰
作者单位:商洛学院艺术系,陕西商洛726000
基金项目:商洛学院科研基金项目(10SKY1017)
摘    要:勃拉姆斯的亨德尔主题变奏曲与赋格是其六部变奏曲中最为经典的作品,从这部变奏曲的旋律结构、和声框架、变奏技法、节奏组合四个方面进行特点分析,可以得出该变奏曲是一部典型的性格变奏曲,其中的每一个变奏都因有着不同的创作手法而曲风各异,但25个变奏和一个赋格却基本和主题保持了相同的结构与调性,展示了作曲家高超的想象力与创作力,也给浪漫主义时期一个被边缘化的音乐体裁——变奏曲注入了新的活力。

关 键 词:变奏曲  旋律  和声  节拍节奏

A Study on the Analysis of Brahms’ Music Ontology——A case study of Handel Theme Variations and Fugue
GUO Jie.A Study on the Analysis of Brahms’ Music Ontology——A case study of Handel Theme Variations and Fugue[J].Journal of Shangluo Teachers College,2014(1):92-96.
Authors:GUO Jie
Institution:GUO Jie (Art Department of Shangluo University, Shangluo, Shaanxi 726000)
Abstract:Brahms’ s Handel Theme Variations and Fugue is the most classic works of his six variations. Its melody structure, framework of harmony, variation skills and rhythm are analyzed so that its typical character variations are concluded. Each of the variation has its unique style due to the various creation techniques, but the 25 variations and one fugue remain the same structure and tonality with its theme, which shows the composer’s imagination and creativity, and injects the new vitality of variations in romantic period.
Keywords:variation  melody  harmony  beat and rhythm
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