"意"辨:论汉语古典诗学形式理论的诠释学之维

汉语古典诗学史上有“诗言‘志‘“、“诗言‘意‘“、“诗缘‘情‘“等说法，从厘清这其中的“意“与“志“、“情“等之间的区别出发，本文将诗歌的“意义“与“形成“置于由“言不尽意“而“意无穷“这一超越过程中来考察。从“言不尽意“出发、人“所以道“入手，汉语古典诗学揭示，“声情“、“意象“所道之“意“为“辞情“所不能道，“声情“、“意象“乃是堪称与“辞情“并列的“意“之“所以道“的两种独特方式；从“意无穷“出发，从对“神韵“的分析来看，汉语古典诗学揭示，“象外之象“、“声外之音“所道之“意“乃是超越性的无穷之意，此无穷之“意“为普通语言形式所不能道；而对诗歌语言活动中“主体性“与“超主体性“高度统一的强调，充分体现了汉语古典诗学形式理论诠释学视界的深刻性与独到性--这一点可以构成我们与西方现代诠释学对话的切入点。本文是“汉语古典诗学形式说法系统“专题研究中的重要组成部分之一。

On Meaning——The Hermeneutics Horizon of Chinese Classic Poetics about Form

From the concept's failure in expressing meaning sufficiently to the meaning's success in surmounting its own finite, this paper analyzes poetic meaning and form. Through analyzing the concept's failure in expressing meaning sufficiently, Chinese classic poetics posts that feelings expressed by voice and feelings expressed by image can not be expressed by concept, and as the mode in expressing meaning in poetry, the voice and the image are as important as the concept. Through analyzing the shenyun and the meaning's success in surmounting its own finite, Chinese classic poetics posts that the significance what can not be expressed by the ordinary language form but can be expressed by the image outside image or by the voice outside voice is infinite. All in all, Chinese classic poetics emphasizes that the subjectivity should consolidate super subjectivity in poetry.