| 14、15世纪佛罗伦萨绘画艺术的世俗化倾向 |
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| 引用本文： | 张玉亮,侯娴. 14、15世纪佛罗伦萨绘画艺术的世俗化倾向[J]. 沙洋师范高等专科学校学报, 2008, 9(3): 40-42 |
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| 作者姓名： | 张玉亮 侯娴 |
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| 作者单位： | 1. 华中师范大学,美术学院,湖北,武汉,430079
2. 荆楚理工学院,教科系,湖北,荆门,448000 |
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| 摘 要： | 从某种意义上说,14、15世纪佛罗伦萨绘画艺术借用传统艺术中具有宗教特征的题材,转化为符合时代潮流的带有世俗化意味的内容和形式,本质上体现了佛罗伦萨绘画艺术在这一历史阶段的共同倾向,即世俗化、大众化艺术倾向。
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| 关 键 词： | 佛罗伦萨 绘画 世俗化 |
The Secularization Tendency of Florence Drawing in the 14th and 15th Century |
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| Zhang Yuliang,Hou Xian. The Secularization Tendency of Florence Drawing in the 14th and 15th Century[J]. Journal of Shayang Teachers College, 2008, 9(3): 40-42 |
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| Authors: | Zhang Yuliang Hou Xian |
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| Abstract: | To some extent,the Florence drawing in the 14th and 15th Century borrows the subject material that has the religious characteristics in traditional art and converts into the content and form with secularization meaning which conforms to the trend of the times.Furthermore,it essentially embodies the common tendency of Florence drawing art in this historical stage,that is,the artistic tendency of secularization and popularization. |
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| Keywords: | Florence drawing secularization |
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