| 词体起源新论 |
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| 引用本文： | 许伯卿. 词体起源新论[J]. 淮阴师范学院学报(哲学社会科学版), 2000, 0(5) |
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| 作者姓名： | 许伯卿 |
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| 作者单位： | 南京师范大学文学院!南京210097 |
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| 摘 要： | 敦煌词作为词体的源头 ,充分说明词体原本是一种“无意不可入 ,无事不可言”、既可“缘情”亦可“言志”的新诗体。宋人在当时各种社会因素的影响下 ,误以《花间集》为词体的源头 ,致使深婉美艳成为宋代词体创作的“正格” ,影响深远。在李煜、范仲淹、柳永、王安石等人 ,特别是苏轼的努力下 ,词体创作终于重又上承敦煌词 ,走上健康发展的道路
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| 关 键 词： | 词体 起源 历史合力 错位误读 |
New Opinion on the Origin of CI Poetry |
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| XU Bo qing. New Opinion on the Origin of CI Poetry[J]. Journal of Huaiyin Teachers College(Social Sciences Edition), 2000, 0(5) |
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| Authors: | XU Bo qing |
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| Abstract: | As the sources of CI Poetry, Dunhuang CI Poetry has substantial content and wide subjects. It can be used to express emotion, also ideas. Because of many social factors, most Song Dynasty people mistakenly considered Huajian CI Poetry as the sources of CI Poetry, and being soft, mild, erotica and beautiful was thought as its style. Under the joint efforts of Li Yu, Fan Zhong yan, Liu Yong and Wang An shi, CI Poetry began to develop healthily. |
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| Keywords: | CI Poetry origin joint forces of social and historic factors misread for mislocation |
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