| 古琴艺术与儒道精神探微 |
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| 引用本文： | 黄铨剑.古琴艺术与儒道精神探微[J].牡丹江教育学院学报,2006(2):93-94. |
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| 作者姓名： | 黄铨剑 |
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| 作者单位： | 安阳师范学院,河南,安阳,455000 |
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| 摘 要： | 儒道精神的入世和出世,是中国哲学思想的两大支柱。儒家成就了中国人的道德生命,道家完善了中国人的艺术生命。音乐作为思想文化的载体,背负着儒道两家的精神。古琴艺术作为中国古老的音乐形式,承载着圣贤哲人的人生哲学和艺术精神,流淌着中国传统文化的精神血脉和对人生态度的感悟。
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| 关 键 词： | 古琴 古琴艺术 儒道精神 |
| 文章编号： | 1009-2323(2006)02-0093-02 |
| 修稿时间： | 2005年12月10 |
On the Art of the Seven-stringed Instrument and the Spirits of Confuanism and Taoism |
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| Huang Quanjian.On the Art of the Seven-stringed Instrument and the Spirits of Confuanism and Taoism[J].Journal of Mudanjiang College of Education,2006(2):93-94. |
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| Authors: | Huang Quanjian |
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| Abstract: | Confucianism and Taoism are the two pillars of Chinese philosophy.Being the carrier of ideology and culture,the Chinese seven-stringed instrument is a symbol of Confucianism and Taoism.It bears the philosophy of life and the sprit of art,and embodies the great Chinese traditional culture farther. |
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| Keywords: | the Chinese seven-stringed instrument and its art the spirits of Confucianism and Taoism |
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