| 从钢琴组曲《狂欢节》看舒曼音乐的双重性风格 |
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| 引用本文： | 周颖.从钢琴组曲《狂欢节》看舒曼音乐的双重性风格[J].湖南第一师范学报,2005,5(2):97-99. |
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| 作者姓名： | 周颖 |
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| 作者单位： | 湖南省第一师范学校,湖南,长沙,410002 |
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| 摘 要： | 钢琴组曲这种体裁是舒曼有别于其他作曲家的标志,奠定了舒曼在钢琴音乐史上的重要地位。《狂欢节》是他具有代表性的钢琴组曲之一,是他双重性创作风格的集中体现：现实性与幻想性;形象性与隐喻性。
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| 关 键 词： | 舒曼 《狂欢节》 双重性风格 |
| 文章编号： | 1671-4369(2005)02-0097-03 |
| 修稿时间： | 2005年4月1日 |
The Dual Style of Schumann's Music since the Piano Music "Carnival" |
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| ZHOU Ying.The Dual Style of Schumann's Music since the Piano Music "Carnival"[J].Journal of First Teachers College of Hunan,2005,5(2):97-99. |
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| Authors: | ZHOU Ying |
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| Abstract: | The piano suite is a sign that Schumann is different from other composers, has established his status in the history of piano music."Carnival" is one of his most representative piano suites. This article probes into the dual style of Schumann's music through analysing this work. |
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| Keywords: | Schumann Carnival Dual style |
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