中国古典文学史上潇湘意象群之建构与拓展

在中国文化的发展演变过程中,潇湘一词由地理走进了文学,从先秦到东晋完成了包含舜帝、二妃、屈原、渔父、桃源等众多元素的潇湘意象群的建构,成为文人"潇湘情结"的情感寄托,用以抒发其怀才不遇的幽怨和向往隐逸的情怀。"潇湘妃子"林黛玉的出现对潇湘意象群的拓展具有重要意义。继二妃之后她再度演绎了永恒的爱情传奇,与之前的文学作品共同表现出潇湘意象群所包含的贬谪、归隐、爱恋三大主题。

The Construction and Expansion of Xiaoxiang Image Group in Classical Chinese History

During the development of Chinese culture, the word Xiaoxiang steps into literature from geology. The image group of Xiaoxiang was constructed until the Eastern Jin dynasty, including Shun Di and his two queens, QU Yuan, Fisher- man and Peach world and so on, which became an emotional expression of Chinese literati＇s ＂Xiaoxiang complex＂ to express their melaneholy with unrecognized talents and feelings of longing for living in seclusion. LIN Daiyu who was called as Xiaoxiang princess in the novel of the Stories of Stones put a new life into the image group of Xiaoxiang, and re-performed the eternal love legendary and demonstrated the three themes of banishment, seclusion and love together with previous works.