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唐宋词桃源意象的美学意蕴
引用本文:罗云芳.唐宋词桃源意象的美学意蕴[J].十堰职业技术学院学报,2008,21(2):56-59.
作者姓名:罗云芳
作者单位:苏州大学,文学院,江苏,苏州,215021
摘    要:陶渊明的《桃花源记》与刘义庆《幽明录》中的天台遇仙故事共同孕育了中国文学中的一个典型意象———桃源意象。到了唐宋时代,词人们广泛运用这一意象来描摹自身的情感、表达自己的追求,由此产生了相当数量的桃源作品。在这些作品中,美丽的神仙传说与唐宋词人特有的缠绵细致的情感相结合,使得这一意象散发出令人怦然心动的美学意蕴。

关 键 词:唐宋词  桃源意象  美学意蕴
文章编号:1008-4738(2008)02-0056-04
修稿时间:2008年2月27日

Taoyuan Images of the Tang and Song Dynasty in Aesthetics Meaning
LUO Yun-fang.Taoyuan Images of the Tang and Song Dynasty in Aesthetics Meaning[J].Journal of Shiyan Technical Institute,2008,21(2):56-59.
Authors:LUO Yun-fang
Institution:LUO Yun-fang (Literary Academy of Suzhou University , Suzhou 215021, China)
Abstract:The story in Tao Yuanming's Taohua Yuan Record and a fairy tale in Liu Yi-Qing's You Ming Record both created a typical image-Taoyuan Image. In the Tang and Song dynasty , the image was widely used by poets to express their feelings which they pursued, thus resulted in a considerable Taoyuan works. In these works, the beautiful fairy legends combined with the poets' unique and touching emotion, makes the images full of breathtaking aesthetic implication.
Keywords:the Tang and Song dynasty poetry  Taoyuan Image  Aesthetics Meaning
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