| 生活破碎处的双重哀歌--格非小说抒情性描写浅论 |
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| 引用本文： | 魏灿芬. 生活破碎处的双重哀歌--格非小说抒情性描写浅论[J]. 怀化学院学报, 2006, 25(3): 91-93 |
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| 作者姓名： | 魏灿芬 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 摘 要： | 格非的抒情性描写与作家对生存现实的感知相联系,表明了作家对破碎现实悲悼和超越的双重态度,同时回荡着悲伤和喜悦的双重旋律。这双重旋律互为表里,表明了人类的某种悲剧性处境以及作家对这种悲剧性处境的感受和认识。
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| 关 键 词： | 抒情性描写 悲悼 超越 |
| 文章编号： | 1671-9743(2006)03-0091-03 |
| 收稿时间： | 2005-12-20 |
| 修稿时间： | 2005-12-20 |
A Plaintive Song with Double Rhythms on the Fragmentized Life |
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| WEI Can-fen. A Plaintive Song with Double Rhythms on the Fragmentized Life[J]. Journal of Huaihua University, 2006, 25(3): 91-93 |
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| Authors: | WEI Can-fen |
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| Affiliation: | Chinese Department of Nanjing University ,Nanjing ,Jiangsu 210093 |
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| Abstract: | This article mainly focuses on the lyric depiction of Ge fei's fictions. This kind of depiction, relating with the living experience of the writer, expresses his two attitudes,mourning and surpassing to the fragmentized life. Double rhythms, resounding through the lyric depiction and connecting with each other, indicate the thespian place of mankind and the cognition of the writer to this thespian place. |
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| Keywords: | lyric depiction mourning surpassing |
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