| 论"象"在中国文论中的历史流变 |
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| 引用本文： | 张琼.论"象"在中国文论中的历史流变[J].安康学院学报,2006,18(5):42-45. |
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| 作者姓名： | 张琼 |
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| 作者单位： | 华南师范大学,中文系,广东,广州,510006 |
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| 摘 要： | “象”是中国古典文论的核心范畴之一,“象”在文论发展中经历了工具化、意蕴化、拓展和整合提升四个时期。在这四个阶段中,“意”的内涵从纯粹的哲学向人的内在世界转移,在整合中融贯了情和理的质素,从“意”、“象”两分到“意”、“象”交融的文论历程,“象”的审美本质和审美价值逐步得到理论发掘和提升。
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| 关 键 词： | 中国文论 象 历程 |
| 文章编号： | 1009-024X（2006）05-0042-04 |
| 收稿时间： | 2006-04-10 |
| 修稿时间： | 2006年4月10日 |
The Development of Image in Chinese Literary Theory |
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| ZHANG Qiong.The Development of Image in Chinese Literary Theory[J].Journal of Ankang Teachers College,2006,18(5):42-45. |
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| Authors: | ZHANG Qiong |
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| Institution: | The Chinese Department;South China Normal University;Guangzhou;China |
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| Abstract: | Image is a central category of Chinese ancient literary theory.The development of Image can be summarized into four periods:the period as utilitarian,the period as passion,the period of developed and the period as upgraded.In these four periods,the meaning of 'idea' transfers from the pure philosophy to the internal world of human being,and constructed in it with passion and reason.In the process from the separation of 'ideal' and 'image' to the communication of the tow,the aesthetic essence and aesthetic value of'idea-image' were gradually found and promoted. |
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| Keywords: | Chinese literary theory Image Process |
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