| 从《卧虎藏龙》的中国古典美学特征看中国电影的发展 |
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| 引用本文： | 李海燕.从《卧虎藏龙》的中国古典美学特征看中国电影的发展[J].安康学院学报,2009,21(1). |
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| 作者姓名： | 李海燕 |
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| 作者单位： | 新疆大学人文学院,新疆乌鲁木齐,830046 |
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| 摘 要： | <卧虎藏龙>是中国武侠电影的成功之作,究其因是该片深受中国古典美学中儒、释、道三家美学思想的影响,彰显了中国传统文化之美.由此,通过对中国古典美学的重新建构并使之现代化,对栽中国电影走本土化与全球化相结合的道路具有重要的指导和借鉴作用.
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| 关 键 词： | 《卧虎藏龙》 中国古典美学 中国电影 |
China's Film Development Characterized by "Crouching Tiger,Hidden Dragon" |
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| LI Haiyan.China's Film Development Characterized by "Crouching Tiger,Hidden Dragon"[J].Journal of Ankang Teachers College,2009,21(1). |
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| Authors: | LI Haiyan |
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| Institution: | School of Humannities;XinJiang University;Urumchi830046;Xinjiang;China |
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| Abstract: | "Crouching Tiger,Hidden Dragon" as the Chinese martial arts film the success of the representatives of the blame because we found the film very classical Chinese aesthetics in Confucianism,Buddhism and Taoism three aesthetic thinking.As a result,the adoption of Chinese classical aesthetics of the re-discovery and continuous modernization of the building to make it,go to the Chinese film localization and globalization that combines the road an important guide and reference. |
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| Keywords: | "Crouching Tiger Hidden Dragon" classical aesthetics of China Chinese film |
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