王国维境界说与皎然取境说之比较

王国维的境界说与皎然的取境说既有联系又有区别。在情境关系上，两者都强调主观和客观的统一，但皎然重心性以禅境论诗境；王国维明确提出情景交融及“事境”理论，拓宽了意境内涵；在对“真”的推崇上，两者“真”内涵都有诗意的真实之义，但皎然之真与佛性玄心相关，王国维之真与赤子之心相关；在意境创作方法上，两者都认识到意境创造有虚有实，应虚实结合，皎然提倡苦思与灵感结合，王国维更强调意境是主体在客体基础上的发挥和能动创造；在对后天文学修养对意境的决定性作用的重视方面，皎然注重主体的悟性，王国维则精妙剖析意境创造的过程；在语言对意境创造的作用上，二人都反对多用典，提倡清新的风格，但皎然注重辞藻的修饰，王国维注重锤炼字句。

A Contrastive Study of the Theory of Realm by Wang Guowei and the Theory of Creating Artistic Scene by Jiao Ran

There exist associations and differences between the Theory of Realm by Wang Guowei and Theory of Creating Artistic Scene by Jiao Ran. This paper explores these similarities and differences in terms of the relation between scene and mood, pursuit of truth, the approaches in the creation of artistic scene, the determinative role of literary training to artistic scene and the role of langue in the creation of artistic scene. Both of the two scholars are master of allusions.