论毛泽东诗词的意象张力

毛泽东在诗词中建立了个人的意象群,其意象结构致力于浓密相间,讲求和注重空间效果,充满张力。这些张力的特点有一定的暗示性或隐蔽性,而且长久不衰,并不随时代的变更而减弱。毛泽东优秀诗作可以印证一个值得注意的美学现象:意象张力是一个开放发展不断增值的体系,它向正向反向纵向横向以至四面八方折射的光芒是无限的。只有在这个基点上,我们才可以认识艺术品由特殊到一般,由写实到写意的审美飞跃,才可以探究艺术品单纯与丰富辩证统一的美学哲理。

On Mao Ze-dong Images Tension poems

Poems of Mao Ze-dong created in the image of the individual group,the structure of its commitment bushy white imagery,stress and results-oriented space,full of tension. These characteristics have a certain hint of tension or covert,but a long recession; the change does not weaken with age. Mao Ze-dong's outstanding poems can prove a noteworthy phenomenon: the aesthetic development of value-added imagery tension is an open system,it is seeking to reverse a horizontal or vertical in all directions but not the end of the refraction of light. Only on this basis t can we know what works from specific to general,from realism to symbolism and the aesthetic leap before we can explore the dialectical unity and richness of art purely aesthetic philosophy.