五代及两宋长江上下游地区绘画创作的地域研究

在中国传统美术史的研究中,对绘画风格地域差异的认识一般倾向于南北地域差异,主要以明代董其昌提出的"南北宗"论为代表。而同纬度地区的东西地域差异却容易被忽略,同样是南方长江流域的上下游地区,其画家的地域分布,作品所表现的场景分布以及其作画风格所呈现的地域差异也有着非常密切的关联和内在规律。文章以五代及两宋分布在长江上游的成都区与下游的江浙区区的画家以及其作品为研究对象,来探索形成这种地域差异的因素和规律。

Geographical Research of Song Dynasty and Five Dynasty Painting Creation Between the Upstream and Downstream of the Yangzi River

In the research of traditional art history,many are inclined to study the differences between the south and the north.What they support is the theory advanced by Dong Qingchang,in the Ming Dynasty,discussing the genre of the south and the north,but the differences of west and east are usually ignored.Between the upstream and downstream of the Yangzi River,the distribution of art professionals,the content of their works and the panting genre presented the differences of different regions in close contact.This paper tries to analyze the art professionals of the Song Dynasty and the Five Dynasty in Chengdu and Hangzhou to find the inherent law and the reason why the differences appear.