| 让·日奈与《女仆》 |
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| 引用本文： | 袁丹璐.让·日奈与《女仆》[J].乐山师范学院学报,2013(8):35-39. |
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| 作者姓名： | 袁丹璐 |
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| 作者单位： | 中央戏剧学院戏剧影视文学系,北京100710 |
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| 摘 要： | 文章以让·日奈的经典仪式化戏剧《女仆》为例,分析了剧中两个仆人所进行的扮演游戏是什么,选择扮演游戏的动机是什么,以及具有怎样的艺术效果。通过对剧中角色的境遇以及心理状态的分析,总结出剧中角色克莱尔所体现的黑暗骑士的精神。并通过对让·日奈戏剧中间离和镜像游戏等特征的分析,展现了让·日奈戏剧的独特性以及他本人所具有的非凡的才华和精神魅力。
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| 关 键 词： | 扮演 游戏 仪式 身份 镜像 |
Jean Genet and The Maid |
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| YUAN Danlu.Jean Genet and The Maid[J].Journal of Leshan Teachers College,2013(8):35-39. |
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| Authors: | YUAN Danlu |
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| Institution: | YUAN Danlu (Department of Drama and Movie, The Central Academy Of Drama, Beijing 100710, China) |
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| Abstract: | This paper sets Jean Gene＇s famous drama--The Maid as a example, fully analyze what＇s the acting game about the two maids; why they want to choose the acting game; and what＇s the effect of this game. Through the analysis of the characters＇ situation and mental state, this paper summarizes the spirit of the Dark Knight that Claire embodied. Based on the analysis of alienation and the mirror game in Jean Genet＇s drama, it shows that the uniqueness of his drama and his extraordinary talent and the charming of the spirit. |
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| Keywords: | Act Game Ceremony Identity The Image of Mirror |
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