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论20世纪中叶的苏州弹词女声流派
引用本文:潘讯.论20世纪中叶的苏州弹词女声流派[J].常熟理工学院学报,2011,25(1):120-124.
作者姓名:潘讯
作者单位:苏州市委研究室,江苏,苏州,215004
摘    要:20世纪中叶以来,苏州弹词女声唱腔获得长足发展,并络绎出现了丽调、侯调、琴调、王月香调等四大流派。这一现象既是评弹艺术自身流变丰富的产物,又具有深层次的历史文化背景。诸多弹词女声流派呈现出追求阳刚健进之美的"花木兰情结"、在演唱中深入心灵体验、重视音乐形象的塑造等相近的美学特征和艺术风格。

关 键 词:苏州弹词  女声流派  美学特征  艺术风格

On Female Schools of Storytelling and Ballad Singing in Mid-20th Century Suzhou
PAN Xun.On Female Schools of Storytelling and Ballad Singing in Mid-20th Century Suzhou[J].Journal of Changshu Institute of Technology,2011,25(1):120-124.
Authors:PAN Xun
Institution:PAN Xun (Research Office of CPC Suzhou Municipal Committee,Suzhou 215004,China)
Abstract:Since the mid-20th century,female vocal of Suzhou storytelling and ballad singing has been greatly developed into such four schools as Li Tune,Hou Tune,Qin Tune and WangYuexiang Tune.This has been attributed to ballad singing enrichment with its deep historical and cultural background.Some female schools have even shown masculine beauty in their storytelling and ballad singing such as in performing "Mulan Complex," which reveals aesthetic features and style through deeper soul experience and reconstruction of musical images.
Keywords:Suzhou storytelling  female schools  aesthetic characteristics  style
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