从曲调名看元朝俗乐曲的继承与发展

依据正史、野史、专书、笔记等文献,可知元朝的俗乐曲相当发达。经过对其曲调名的细致梳理,便能较为清楚地认识到,虽然有相当数量的曲调源自唐、宋、金等,但也不能不承认,绝大多数的曲调是蒙古族或其所辖诸族的传统曲子和一些新制曲调。

Inheritance and Development of YuanQu From the Aspect of Its Name of the Tunes

As what we can perceive from history books written in biographical style, books of anecdotes,monographs and sketchbooks, tunes of Yuan Dynasty in Chinese history have reached a considerable high level. Based on a scrupulous study of its name of the tunes, this paper attempts to demonstrate that the great majority of YuanQu are the traditional tunes and newly-composed tunes derived from Mongols and the clans under its jurisdiction despite the fact that some of the tunes are originated from Tang, Song and Jin Dynasties.