| 简论古典戏曲舞台色彩的饰美功能 |
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| 引用本文： | 杨蕾.简论古典戏曲舞台色彩的饰美功能[J].黄河科技大学学报,2013,15(1):108-111. |
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| 作者姓名： | 杨蕾 |
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| 作者单位： | 河南大学河南地方戏研究所,河南开封,475001 |
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| 基金项目： | 2011年度教育部人文社会科学重点研究基地重大项目《中国近现代社会转型与河南戏剧的变革》(11JJD750022) |
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| 摘 要： | 古典戏曲的舞台装扮有着相对独立的视觉感受及美术意义。色彩以其生理上所造成的错觉与幻觉、美术上所具备的变形与疏离，具有极其强烈的舞台饰美功能，不仅能够辅助人物角色剥离原始体貌特征进行变形重塑，而且能够幻化出高于现实生活的审美意象，是古典戏曲人物造型及舞台装扮不可或缺的重要手段。
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| 关 键 词： | 古典戏曲 色彩 饰美性 |
A Brief Discussion on the Decorative Function of the Classical Opera Stage Color |
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| YANG Lei.A Brief Discussion on the Decorative Function of the Classical Opera Stage Color[J].Journal of Huanghe S&T University,2013,15(1):108-111. |
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| Authors: | YANG Lei |
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| Institution: | YANG Lei(Henan Local Opera Research Institute,Henan University,Kaifeng 475001,China) |
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| Abstract: | The stage dress of the classical opera has its own relatively independent visual experience and art meaning. The color with its delusion and hallucination caused by its physiology and its deformation and alienation owned by art has very strong stage decorative function, which can not only help the role to strip off his or her original physical characteristics and be remold,but also be able to unreally change the aesthetic image higher than the real life;thus is the important and un-lacked means that can not be lacked by the classic opera character molding and the stage costume. |
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| Keywords: | Opera color decorative nature |
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