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浅论古典舞立身之本—身韵
引用本文:佟欣婷. 浅论古典舞立身之本—身韵[J]. 惠州学院学报, 2006, 26(2): 125-128. DOI:  
作者姓名:佟欣婷
作者单位:惠州学院,艺术教育系,广东,惠州,516007
摘    要:古典舞是一门借鉴、汲取、综合戏曲、杂技、武术等艺术精华的表演艺术, 曾一度被一些人称作“戏曲舞蹈”。身韵教学法的确立使古典舞摆脱了对古典戏曲的依附, 从而成为一门独立的舞蹈种类, 确立了古典舞在中国舞蹈领域中的重要地位。只有在系统研究古典舞身韵的审美特性、作用、价值和教学方法等前提下, 才能更好的继承和发展古典舞。

关 键 词:审美  价值取向  身韵教学法  重要作用
文章编号:1671-5934(2006)01-0125-04
收稿时间:2006-02-21
修稿时间:2006-02-21

Posture and Rhyme: the Nature of Classical Dance
TONG Xin-ting. Posture and Rhyme: the Nature of Classical Dance[J]. Journal of Huizhou University, 2006, 26(2): 125-128. DOI:  
Authors:TONG Xin-ting
Abstract:Classical music,which was used to be called by some as "Drama Music",is a performance art intergrated by dramas,acrobatics and Wushu.Posture-rhyme teaching approach made classical dance be independent of classical drama.Therefore,classical dance had become an independent sort of dance and enjoyed an important position in the field of Chinese dances.Only if the aesthetics,role,value and teaching approach of classical dance have been studied systematically,can classical dance be well inberited and developed.
Keywords:aesthetics  value tendancy  posture-rhythm teaching approach  role  
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