| 试论戏曲中的角色变化 |
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| 引用本文： | 丁可楣,杨勇.试论戏曲中的角色变化[J].山西广播电视大学学报,2013(3):77-79. |
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| 作者姓名： | 丁可楣 杨勇 |
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| 作者单位： | [1]山西师范大学戏剧研究所,山西太原041000 [2]山西广播电视大学,山西太原030027 |
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| 摘 要： | 中国戏曲经历了一个长时间的发展过程,在这个发展过程中,戏曲角色也在同时发展。戏曲角色在经历了由简单到复杂的发展过程后,最后在明清时期形成了较为完整的体系,各个演员行当都有了自己的演出特点,为中国戏曲增添了独特的魅力。
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| 关 键 词： | 戏曲 角色 发展 |
A Discussion on the Change of Opera Characters |
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| Ding Kemei,Yang Yong.A Discussion on the Change of Opera Characters[J].Journal of Shanxi Radio & Tv University,2013(3):77-79. |
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| Authors: | Ding Kemei Yang Yong |
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| Institution: | 1. Drama Research Institute, Shanxi Normal University, Taiyuan, Shanxi, 041000; 2. Shanxi TV University, Taiyuan, Shanxi, 030027) |
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| Abstract: | The development of Chinese opera has experienced a long developing process. In the development process, the opera character has also developed constantly. The opera character formed a more complete system in the Ming and Qing Dynasties from simple to complex development process, and each actor has its own performance characteristics, which adds a unique charm for the Chinese opera. |
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| Keywords: | opera character development |
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