| 论中世纪伪乐对调式发展的作用 |
| |
| 引用本文： | 曾丽明. 论中世纪伪乐对调式发展的作用[J]. 上海师范大学学报(哲学社会科学版), 2004, 33(4): 86-91 |
| |
| 作者姓名： | 曾丽明 |
| |
| 作者单位： | 上海师范大学,音乐学院,上海,200234 |
| |
| 摘 要： | 文章对盛行于中世纪的伪乐变音现象及它的演变过程进行分析、概括,就伪乐在促进自然音体系调式音阶中导音的形成与终止式的规范化,并最终使调式由从中世纪的十二个教会调式逐渐发展形成为现在的大小调音阶系统展开论述,揭示了伪乐在调式发展中的重要作用。
|
| 关 键 词： | 中世纪 伪乐 调式 |
| 文章编号： | 1004-8634(2004)04-0086-(06) |
| 修稿时间： | 2004-02-15 |
The Role of Musica Ficta of the Medieval Period in Development of Modes |
| |
| ZENG Liming. The Role of Musica Ficta of the Medieval Period in Development of Modes[J]. Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 2004, 33(4): 86-91 |
| |
| Authors: | ZENG Liming |
| |
| Abstract: | With the musica falsa of the medieval period and its development as the object of study, this paper analyzes and summarizes musica falsa in leading notes form and standardizes cadence of modes. Also, the paper reveals the important role of musica ficta from twelve church modes into major-minor scale system. |
| |
| Keywords: | the medieval period modes musica falsa music ficta |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
