论音乐审美中的音色

在音乐审美过程中,因为音色这一客体的不具象性、无语义性,往往不像其他音乐表现手段(旋律、节奏、调式、和声)引起人们的重视.但是,音色作为音乐表现的一种要素,仍有其独特的存在方式和自身规律,有与创作主体、审美主体构成的由实践到认识的关系.文章从音乐实践美学的观点,对音色审美中的心理基础问题、个性与风格问题、历史与现实问题等进行了分析和研究,以求音色这个古老而又待于不断开拓、深化的领域在理论上更加完善,在创作、表演、欣赏等方面有更全面、更周密的理性思考.

Timbre in musical aestheticism

In the process of musical aestheticism,people alway pay less attention to timbre than to other musical means of expression,such as melody,rhythm,mode,harmony and so on,for timbre is abstract and has no definite meaning.However,as an essential factor of musical expression,it exists in its peculiar way and regularity.At the same time,the relationship of practice and knowledge comes into being between timbre and the subjects of creation and aestheticism.On the basis of aesthetics in musical practice,some analysis and study are made in psychology of timbre aestheticism,individuality and style,monochromaticity and melange,and history and reality in this paper.By this means,it is expected to make the study of timbre more perfect and form more comprehensive and through rational thought in creation,performance and appreciation.