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龙歌仪式的审美人类学探析——以广西融安地区的舞龙活动为例
引用本文:黄善强,李昌松.龙歌仪式的审美人类学探析——以广西融安地区的舞龙活动为例[J].柳州师专学报,2009,24(2):18-21.
作者姓名:黄善强  李昌松
作者单位:广西师范大学文学院,广西桂林,541004
基金项目:广西研究生教育创新计划 
摘    要:龙歌是在春节舞龙活动中,用特有的龙歌调演唱的一种仪式山歌。它以特殊的民俗文化形式表达了人们对新年的庆祝和对美好生活的期盼,达到了娱神娱已的审美文化效果。而审美需要、审美能力和审美交流等审美关系对龙歌审美活动的发生、发展有深刻地影响。对龙歌文化进行审美人类学的探讨,无疑可以获得对其更深刻的体认。

关 键 词:龙歌仪式  审美人类学  口头文化

An Aesthetic Anthropological Discussion of the Dragon Song Culture
HUANG Shan-qiang,LI Chang-song.An Aesthetic Anthropological Discussion of the Dragon Song Culture[J].Journal of Liuzhou Teachers College,2009,24(2):18-21.
Authors:HUANG Shan-qiang  LI Chang-song
Institution:College of literature;Guangxi Normal University;Guilin;Guangxi;541004;China
Abstract:Song of dragon is a folk song sung to a special dragon song tune in the dragon dance activity during the Spring Festival.It expresses celebration for the New Year and good wish for people's life,attaining an aesthetic effect both in people's self-entertainment and their worship of gods.From the perspective of aesthetic anthropology,this paper is to discuss about the influence of some esthetic relations like esthetic needs,ability and communication on the production and development of dragon song esthetics.
Keywords:dragon song ceremony  esthetic anthropology  oral culture  
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