| 刍议美学移情与哲学抽象 |
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| 引用本文： | 王冰.刍议美学移情与哲学抽象[J].广东广播电视大学学报,2012(6):64-67. |
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| 作者姓名： | 王冰 |
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| 作者单位： | 天津广播电视大学 |
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| 基金项目： | 辽宁省高等学校科学研究计划经费资助课题“关于哲学中的抽象与美学移情及心理意识的关系研究”(2008461)成果之一 |
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| 摘 要： | 在人类审美认识过程中，美学移情与哲学抽象有着天然的思维契合。美学移情处于审美欣赏的实质位置，是审美主体向对象“灌注了生命”。美学移情有着强烈的主观感性体验特征，但却内涵着深刻的哲学抽象的逻辑思维方式。哲学抽象是美学移情的思维基础，美学移情是哲学抽象的客观显现。
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| 关 键 词： | 美学移情 哲学抽象 思维过程 |
A Discussion on Aesthetic Transference and Philosophical Abstraction |
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| WANG Bing.A Discussion on Aesthetic Transference and Philosophical Abstraction[J].Journal of Guangdong Radio & Television University,2012(6):64-67. |
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| Authors: | WANG Bing |
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| Institution: | WANG Bing(Tianjin Radio & TV University,Tianjin,China,300191) |
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| Abstract: | In the process of human aesthetic awareness, aesthetic transference and philosophical abstraction has a natural thought convergence. Aesthetic empathy, which is in the real position of aesthetic appreciation, is the ＂perfusion of life ＂from aesthetic subject to object. Aesthetic empathy carries not only strong subjective characteristics of emotional experience, but profound philosophical connotation in abstract logical thinking as well. Abstraction is the thinking foundation of aesthetic empathy, while aesthetic empathy is the objective evidence of philosophical abstraction. |
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| Keywords: | aesthetic empathy abstraction thinking process |
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