| 浅析李白诗水意象的审美境界 |
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| 引用本文： | 杨洁梅. 浅析李白诗水意象的审美境界[J]. 伊犁教育学院学报, 2003, 16(3): 27-31 |
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| 作者姓名： | 杨洁梅 |
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| 作者单位： | 中南民族大学,文学院,湖北,武汉,430074 |
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| 摘 要： | 李白在诗歌中大量运用水的意象,不仅对其作了形态万端的精彩描绘,同时在对它们的审 美中注入了自我生命感受的诗情体验,使其具有极富个性的丰厚审美底蕴。水在李白的诗 歌中是具有很强的整合力的意象、与月、山等组合成复合意象群,构成了相对独立完整的审 美系统。对流水意象、清水意象的分析,可探寻到李白诗水意象中“天人合一”的审美境界。
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| 关 键 词： | 李白 流水 清水 意象 天人合一 审美境界 |
| 文章编号： | 1009-0487(2003)03-0027-05 |
| 修稿时间： | 2003-01-09 |
Analysing the Universe - human - syncretism of the Water Image in Libai''s Poesy |
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| YANG Jie - mei. Analysing the Universe - human - syncretism of the Water Image in Libai''s Poesy[J]. Journal of Yili Education College, 2003, 16(3): 27-31 |
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| Authors: | YANG Jie - mei |
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| Abstract: | There is a large number of water - image in Libai' s poesy. He described the splendid water and at the same time, infuses his life - taste of aesthetic meaning. Water - image of his poesy has very strong conformity force. Water with moon and mountain makes up compound image group. It constitutes a perfect aesthetic system. |
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| Keywords: | LI Bai running water clear water image universe - human - syncretism aesthetic meaning |
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