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哈萨克族叙事诗《阔孜库尔佩西与芭艳苏露》之《乔汗版本》的节奏特色
引用本文:黄中祥.哈萨克族叙事诗《阔孜库尔佩西与芭艳苏露》之《乔汗版本》的节奏特色[J].伊犁师范学院学报,2010(4):1-4.
作者姓名:黄中祥
作者单位:中国社会科学院民族文学研究所,北京100732
基金项目:中国社会科学院重点课题《哈萨克族叙事诗〈阔孜库尔佩西与芭艳苏露〉版本比较研究》的前期成果之一
摘    要:运用人类学、文学与韵律学相结合的研究方法,对哈萨克族叙事诗《阔孜库尔佩西与芭艳苏露》之《乔汗.瓦里汗诺夫版本》的音节、音步、诗行和诗段进行了系统的分析归类。该版本形成的年代比较早,节奏比较规则,基本上是由十一个音节组成的三音步四行诗段。在其他形成比较晚的版本中,出现了七个或八个音节组成的双音步诗行,这与阿肯对唱逐渐运用乐器伴奏有关。

关 键 词:哈萨克族  叙事诗  阔孜库尔佩西与芭艳苏露  版本  节奏

The Rhythm Characteristics of Kazakh Epic with Leaving from Zikurs and Bayansulu and Joe.khan Version
HUANG Zhong-xiang.The Rhythm Characteristics of Kazakh Epic with Leaving from Zikurs and Bayansulu and Joe.khan Version[J].Journal of Ili Teachers' College,2010(4):1-4.
Authors:HUANG Zhong-xiang
Institution:HUANG Zhong-xiang(Institute of Ethnic Literature,Academy of Social Sciences of China,Beijing 100732,China)
Abstract:With the use of anthropology,literature and the combination of metrics research methods,The syllable,the tone-step,the lines and the paragraphs of Kazakh epic with Leaving Zikurs and Bayansulu and Joe.khan Version are classified.The version of the formative years was earlier,and the rhythms had their rules,basically consisting of eleven syllables and three quatrains,others were relatively late.There have been seven or eight syllables of two-tone-step line of poetry,which gradually duet with Akon on the use of instrumental accompaniment.
Keywords:Kazak  epic  leaving from Zikurs and Bayansulu and Joe  khan  version  rhythm
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