“极平常的,或者简直近于没有事情的悲剧者”——“新时期”小说人物形象的美感形态研究

生活中的矛盾与冲突更多的时候表现为非对抗性,具有舒缓的性质与状态。应该看到生活中大智大勇、大善大美的英雄遭受毁灭的悲剧,也应该看到不公平、不合理、不理想、不完美带给普通人的摧残、打击与伤害,这或许是更普通的“平常的”悲剧。在“伤痕小说”、“反思小说”等小说思潮中出现的众多的“被污辱与被损害者”、“无辜者”的悲剧形象,在冲突的性质、美感特征、价值形态等方面都同“十七年”文学中和新时期文学初期出现的悲剧英雄标示出明显的不同。“被污辱与被损害的人”是当代中国特殊的政治与文化背景下产生的一批特殊的形象群体。他们不仅在性格特征上自有相似性,而且在美感形态上也自成一体而且独具特征。

An Aesthetic and Morphologic Study of the Characters'''' Image In the New Period''''s Novels

At most times,contradictions and disputes in life are shown to be non-antagonism, having the characters of relaxation and easiness. We shoulel see the tragedies of those brave, kind and handsome heroes in lives, and also the sufferings, pains and harms brought about to the commons by injustive, unreasonableness, unidealness and imperfection, which may be more ordinary common tragedies. Among the various tragic images of the insulted, innocent and injured in the Scar Literature and Reflection Literature, they are Seventeen Years Literature and the beginning of the new period's literature. The insulted and injured are a special group under modern China's specific political and cultrual backgrounds, who are similar in their characters , and have their own uniqueness in the aesthetic morphology.